Jocelyn Lee 的作品里最吸引我的是那种自然散发出来的懒散悠闲的感觉和那些照片里人物的脆弱无助。

Jocelyn Lee is a photographer born in Italy.

牛仔裤品牌喜欢喊口号，常常为年轻人代言的Diesel的2010年的新口号就是“Be Stupid”。想想，人年轻的时候就是要做点蠢事、傻事，不然还真枉了这段岁月。这个系列平面广告的制造者是广告公司Anomaly。摄影师为：Kristin Vicari、Melodie McDaniel以及Chris Buck。这些是假杂志精选的作品，更多作品见官方网站。

Jeans brands love a manifesto. Diesel has a new one, which is a call to arms to, um… Be Stupid. The campaign is created by Anomaly, shot by photographers Kristin Vicari, Melodie McDaniel and Chris Buck. These are selected works by JIA ZA ZHI. The full Be Stupid campaign can be viewed online here.

Pierluigi Riccio，1975 年生于意大利南部的一个小城，现居罗马。他的摄影无论是彩色或黑白，无论静态或动态的瞬间，都始终对画面保持一种冷静视角和一段克制的距离。这个访问首发于老版的假杂志，这次是重发。

Pierluigi Riccio was born in 1975 in a little city in the south of Italy, now i live in Rome. His works often show a self-possessed distant and a calm angle, whatever the color pictures or B&W ones, the static or dynamic moments. It is a old interview posted in jia za zhi’s old version.

> 你是什么时候对摄影产生兴趣的？
> 在我16岁的时候我买了一个单反相机zenit 122，我非常自豪。我慢慢开始用不同的方式观察我周围的世界，会用足够的时间耐心的去观察一个物体。看上去更像是拥有了一台显微镜而不是相机，在我的世界里截取单独的片段。然后，我学了哲学，它让我有了新的视角和眼力去观察这个世界。

> 提到“大师”这个词，让你瞬间就想起的人是谁？你对他的一句话评价是什么？
> 让我选一个真的有点难，但是在瞬间想到的话……唔……我想是William Eggleston，他是当代摄影之父，他是细节叙述的天才。

> 除了摄影，你现在还关注什么？
> 我是一名艺术总监，我在一家广告公司工作，所以我整天都能做许多与摄影相关的事情，还不错。

> 你对你生活的城市有何评价？
> 唔……罗马，就像我妻子说的那样，这是一个杂乱的城市，但我还要补充一下，这是一个迷人而杂乱的城市。这里有宽阔的天空，奇妙的灯光，还有一些温柔的颓唐让你在拍照时灵感突发。

（访谈：言由 / 假杂志版权所有，转载请超链接本文网址）

> When did you get interested in photography? How did you start?
> I was about 16 years old when i bought my first reflex, a zenit 122, I was so proud of it. I started to observe the world around me in a different way, focusing on one thing at a time with the right patience and the right time. It was like having a microscope rather than a camera, by pointing a single fragment of life you can see the whole story. And I have to say thanks to my philosophy studies, they gave me a new point of view and new eyes to see the world.

> What’s your comments on the city you live?
> Well, Rome, like my wife use to say, it’s a mess, and I say fascinating mess, you have large skies, amazing light and a kind of soft decadence that inspires every picture you take.

> Speaking of “master”, who will you instantly think of? please give your comments on him/her in one sentence?
> It’s really hard to talk about one master but if I have to choose one immediately, well, I think William Eggleston, he’s the father of all contemporary photographers, he has the gift to tell a story pointing a detail.

> Besides photography, which fields are you focusing on?
> I’m an art director, I work in an advertising company so I have to deal with photography all the days, not so bad.

(Interviewed by Yuan Di / all images © Pierluigi Riccio; Please link JIAZAZHI, if you want to use any part of this aritcle )

纪实摄影师Francesco Giusti的作品总是在关注与社会现实、社区以及身份相关的话题。他在2010年的荷赛新闻摄影比赛中获得了“艺术与娱乐故事”类的二等奖。最近，他一直在海地、西非撒哈拉以南地区以及刚果等地进行创作。这些作品选自他的Sapologie系列，展示了一群生活在刚果石油城黑角的男人们，他们穿着艳丽，爱表现，也不缺乏非洲人固有的乐观的个性。

Francesco Giusti is a documentary photographer oriented toward investigation of social realities, communities and identity related issues. He won the 2nd Prize Arts and Entertainment Stories of World Press Photo 2010. He has recently been worked in Haiti, in the Sub-Sahara area of Western Africa and in Congo Brazzaville. These pieces are from Sapologie series, showing the colorful, expressive and joyful men living in Pointe-Noire, Congo Brazzaville.

现居纽约的摄影师Alessandro Zuek Simonetti生于意大利，与90年代初期都市街头文化一同成长。他独特的摄影语言体现了他对年轻人的小众文化的关注。

New York City based photographer Alessandro Zuek Simonetti was born in Italy and grew up parallel to the urban street cultures of the early 90′s. Developing his own distinct photographic language reflects his deep interest in young niche cultures.

Cellina von Mannstein生于德国杜塞尔多夫。2000年开始在汉堡成为了一名自由摄影师，为杂志拍片。2002年她移居纽约拜师Terry Richardson，并成为他的助理。2003年夏天她前往意大利米兰，再次独立拍摄。2006年，她获得了戛纳电影节“新摄影师奖”。

Cellina von Mannstein was born in Dusseldorf, Germany. Since 2000, Cellina based herself in Hamburg as a freelance photographer, working for magazines. But she moved to New York in May 2002 assisting Terry Richardson, who was her mentor. Cellina struck out on her own again in the summer of 2003, basing herself in Milan. Cellina is one out of the “new Photographers 2006″ at the Cannes Film Festival.

Matilde Soligno，1980年5月14日出生于意大利博洛尼亚。现居博洛尼亚。最近几年里经常待在纽约。在接受我们访问的时候她正在忙着筹划在纽约的展览，但是她的回答依然让人深思。（字太小，请用ctrl+，谢谢）

一、词语解释

假 – 当我们从充斥着常识的现实中脱离出来，对原本确定的事实产生动摇时，我们就开始质疑终极真相在哪里。

摄影 – 代表我们相信已然存在的事物。一块无论我们如何投入却依然有隔离之感的开放领域。

诗歌 – 练习使用出乎意料的、有质疑意味的比喻来描绘世界。

爱 – 带有鲜明标识的庇佑之所。能感受到最不可言喻的关联。

回忆 – 神经学家埃里克·坎德尔说：“回忆就是我们自身。”我们独特的外表特征造就了各自的个性，反过来亦然。回忆是一条迷人又神秘的地平线。

光 – 显然与时间、空间以及我们所知的每件物品相关。

二、问答

- 你何时开始对摄影感兴趣？是如何开始的？

- 我小时候父母给我买了第一台相机。记得那时候我觉得胶卷是承载感情的最珍贵的东西。父亲以前有许多好玩的光学仪器，像双筒望远镜，反射式照相机，后者我得以继续使用。以前家人会觉得很困扰，常常责备我，因为在旅行中我常需要花相当长的时间去拍摄甚至是最简单的纪念照。19岁的时候大家开始鼓励我认真对待摄影这件事，我想这是很重要的第二步。

- 说到“大师”，你马上会想起谁？请以一句话评价他/她。

- Luigi Ghirri。他能有意识地通过对某个日常物件、环境或者气氛作出贴近生活、唤起共鸣的阐释，表现出深层次的抽象想法，这些想法大多关于影像和意义的归属。

- 请说说最近带给你灵感的东西。

- 挑战总能带给我灵感。离开已知的区域去探索新的地方，比如旅行；遭遇挫折之后明白放手有意想不到的丰富意义；发现有比我所想更多的可以完全放弃的东西。

- 什么事物或事情让你感到恐惧？

- 幻觉。藏匿中的东西。我看不到的东西。脱离我控制的东西。影响巨大的自然现象。死亡。这些同样的事情让我觉得欣喜、着迷或者兴奋。

Matilde Soligno was born on May 14, 1980 in Bologna, Italy. The last few years she has spent long periods of time in New York. She was busy on her exhibition in New York when she answered these questions. Though, her answers are provoking.

1, Special Explanation
Fake-  When we abstract ourselves from common-sense reality, our certainties appear to be untrue, and we start asking ourselves where the ultimate truth lies.

Photography- Stands for something we believe has existed. An open field we fill with ourselves, and still escapes us.

Poetry- The practice of using unexpected, problem-posing metaphors to describe the world.

Love- Shelter and recognition. Feeling a mostly unexplicable connection.

Memory- “Our memory is what we are”, by Eric Kandel, neuroscientist. Our unique physical features create our own personality’s features, but the contrary as well. A horizon of fascinating mysteries.

Light- Apparently related to time, space and every single thing as we know it.

2, Q&A
- When did you get interested in photography? How did you start?
- I started as a little girl, when my parents bought me my first camera. I remember considering my filmrolls the most precious and emotion-carrying objects in my possession. My father used to have all these interesting optical instruments, such as binoculars, and a reflex camera which I later obtained to use. My family used to get stressed out  and pick on me, since it used to take me a long time to decide how to shoot even the simplest souvenir picture during our frequent trips. When I was 19 people started encouraging me to take my photography seriously, and that can be considered as a second important step.

- Speaking of “master”, who will you instantly think of? please give your comments on him/her in one sentence?
- Luigi Ghirri. He was able to consciously express deep abstract thoughts, mostly about images and meaning attribution, through a life-like and evocative representation of certain everyday objects, situations or atmospheres.

- What give you inspiration recently?
- Challenges always inspire me. Leaving known territories and heading to new ones, as in travelling; getting frustrated and learning there’s an unexpected richness in letting go; finding out there is more than what I thought to things I was about to abandon for good.

- Are there any things or affairs make you feel terrified?
- Illusions. Hidden things. Things I can’t see. Things beyond my control. Enormous natural phenomena. Death. Those same things make me feel ecstatic, fascinated, or thrilled.

宝拉·德·格蕾内是一位现居西班牙巴塞罗那的意大利摄影师。她也将插画当作一种爱好在创作。在Spraugraphic有一则她的专访。

Paola de Grenet is an Italian photographer based in Barcelona, Spain. She also does illustration as a hobby. Check out her interview by Spraugraphic.