好的风景照片如同是一枚印章，看过之后会在心里印下一个印记，虽然模糊却抹之不去。这组黑白风景照选自美国摄影师Noah Wilson的Ground Truthing系列。摄影师现在也正在为他的蒙大拿摄影计划筹集资金，如果有心的话不妨帮他实现这个愿望。
These images are selected from Noah Wilson’s Ground Truthing series. Please help Noah Wilson fund his trip to photograph in Montana. He made a Kickstarter page (here), and he’s asking for a pretty modest sum.
这些风景照选自美国摄影师Peter Hoffman的post-landfill landscapes系列。诗意的影像背后却是一个个关于现实的故事，照片中地点其实都是居民区倾倒掩埋生活垃圾的地方。
Peter Hoffman (1984) is based in nowheresville/everywheresville suburbia (Lisle/Naperville, Illinois) but working in Chicagoland and throughout the Midwest.
有着独特摄影语言的纽约摄影师William Mebane + Martin Hyers，在他们所有的作品中一个人也看不见，拍摄对象是人类生活中使用的物件，包括房子、吊灯、一盒肉、甚至任何一件杂物。大量照片看下来发现通过这些杂物的整合去描述某个主体反而更有力量。
New York photography duo William Mebane +Martin Hyers.
这些3D卡通雕塑出自美国艺术家 Luke O’Sullivan 之手。
“Luke O’Sullivan incorporates drawing, printmaking and 3D in constructing everything from a briefcase of cash to old school ghetto blasters.”- My Modern Met
这些作品选自旧金山现代艺术博物馆在2010年10月30日-2011年4月17日期间举办的展览——曝光：窥视、监视及1870年后的摄影。没准你已经认出不少，但如果需要，更多作品信息见此。
Works from the exhibition EXPOSED: VOYEURISM, SURVEILLANCE AND THE CAMERA SINCE 1870 at San Francisco Museum of Modern Art from October 30, 2010, through April 17, 2011. Please check out more information of these images here, if necessary.
彩色摄影的鼻祖之一 Richard Misrach 的风景照似乎在向我们诉说关于人类与自然之间一种美丽而又可怕的关系。
“ the world is as terrible as it is beautiful, but when you look more closely, it is as beautiful as it is terrible.” – Richard Misrach
Dana Lee is a New York-based menswear designer.
Dana Lee 是一位居住在纽约的男装设计师。这是该品牌2011年秋冬季Lookbook。照片为摄影师Jody Rogac拍摄。
摄影师Lisa Lindvay用镜头记录在她母亲患上精神疾病后全家人的生活状态。
“These photographs depict the lives of my father, sister and two brothers, as they take on the burden of my mother’s deteriorating mental state.”
Larysa Sendich 和第四二期访谈的摄影师 Mae Ryan 都是假杂志的老朋友纽约摄影师白白的推荐。白白说，Larysa、Mae和她自己是纽约国际摄影中心学纪实摄影的同学中最不像纪实摄影的。在上周见面的时候，我对白白说，因为你们都有一些东方的味道。后来一想，这样的概括其实并不精准，她们作品中对人物内心情感的把握和表现被我草率地冠上“东方”这个标签，而这种对内心情感的注重其实并没有东西方的分别。有着乌克兰和波斯尼亚家庭背景的 Larysa Sendich，在美国生活有着不一样的成长经历，也造就了她现在的摄影风格。我们结合她的系列作品“波浪之间”来看看她是怎么说的。
Larysa Sendich and Mae Ryan in vol.42 interview were both recommended by our old friend New York based photographer Wenjie Yang. She said, among the students studying in IPC Photojournalism and Documentary Photography, they three were quite different from others, and their works were not so documentary. When I met Wenjie last week in Beijing, I told her that all of their works were full of Oriental sense, however, I didn’t think my conclusion was accurate. They should not simply be tagged with Eastern sense, because human beings share the same emotions. Born to Ukrainian and Bosnian parents, Larysa Sendich spent her childhood between the Ukrainian communities of the Midwest and East Coast of the United States. She had a different experience during her growth, which impacted her a lot. Let’s see what she said, combining with the Between Wave series.
假杂志曾经做过访谈的纽约摄影师 Mae Ryan 最近登上了《时代》杂志的网络版，也是关于她的“玛丽女王”系列。恭喜她。
Our friend, New York based photographer Mae Ryan (Jia Za Zhi’s InterView) recently got published on Time.com with her Mary the Queen series. Congratulations to Mae!
很多人问，假杂志选择摄影师的标准是什么，今天借纽约摄影师 Mae Ryan 的访谈正好做个解答。在我看来，好的摄影始终是一种叙述，它和文字一样是人的情感的载体，可能有些偏诗性，有些则偏故事性。Mae的作品属于后者，她的作品基于情感，连起来，它们有些甚至可以是一个动人的故事。Mae Ryan最初学的不是摄影而是建筑，最近才刚刚从纽约国际摄影中心的“新闻摄影”课程毕业。虽然专攻新闻摄影，但是她的个人作品中的感情却压倒了理性。她的“玛丽女王”系列拍摄的是纽约扬科斯的玛丽女王修道院里的吉光片羽。Mae镜头里老人们的那些细节和动作，让人不由的赞叹起生命和信仰来。
Many people asked me, what is the standard for Jia Za Zhi? I think it’s opportunity to answer the question with the interview with New York photographer Mae Ryan. In my opinion, good photography is a kind of narrative, a carrier of emotion, just like words. The images could tell a story if your connect them in series. Mae Ryan received a B.S. from Stanford in Architectural Design and recently graduated from the photojournalism program at The International Center of Photography in New York, NY. Though majoring in photojournalism, she brings her works more emotion than reason. Her Mary the Queen series shot the moments in Mary the Queen Convent in Yonkers, NY. Mae captured the old people’s details and gestures, making viewers admire life and faith spontaneously.
