The 16th STORY is brought by a painter, Zhou Yunchou, based in Xiamen. He now works as a bartender at thankyou cafe & bar in Xiamen.

韩国艺术家Lee Sea Hyun绘画作品。

Painting works by Korean born Lodon based artist Lee Sea Hyun.

All images courtesy Gallery Artside & Union Gallery
假杂志新浪微博 / JiaZaZhi in tumblr

有着平面设计学习经验的孔令楠，对画布和展示空间里的一切都力求完美。孔令楠的首次个展《只有她的身体》用独特的 “霓虹灯油画”来展现孤独的风景、罕见的灾难以及神秘的人类活动。虽然孔令楠采用的是最为普通的油画颜料，但凭借她独特的技巧和严谨的处理，每一跟线条看起来都像是在黑色的背景里发出炫目的光芒。

Painting works by Kong Lingnan, originating from Jilin Province, Northeast China.

All images ©  孔令楠 Kong Lingnan
假杂志新浪微博 / JiaZaZhi in twitter

台北国立故宫博物院最近举办了 “满庭芳 – 历代花卉名品” 书画展，将该院所藏以花卉为主体的作品分为「一年好景」、「境由心造」、「丹青面目」和「祥瑞吉兆」四个单元展出。遴选四时花卉表现季节和时令，显示画家如何以巧思构景造境和运用双钩填彩、没骨、白描和写意等基本技法，让单纯的题材呈现多种面貌或时代性，并解析绘画中的吉祥寓意，以便欣赏画家展现的不同角度，赏析花卉绘画特有的美感和多样性。更多大图及作品说明见官网上的在线展览。

National Palace Museum of Taipei held an exhibition of Chinese Flower Paintings Through the Ages named as FRAGRANCE FILLS THE COURTYARD. The selection presented in this special exhibition has been divided into four sections: “Beautiful Scenes All Year Round,” “Formal Expressions of the Mind,” “Their Many Features in Painting,” and “Auspicious Signs and Lucky Omens.” You can find larger images and more details on its official website’s online exhibition.

清  惲壽平  春風圖

宋　衛昇　寫生紫薇

清　惲壽平　桂花紫薇

明　陸治　榴花小景

明　陳憲章　畫梅花

宋　李嵩　花籃

清　傳綮　白梅

宋人　芙蓉

傳　宋　趙昌　歲朝圖

清　黃慎　牡丹

清　惲壽平　牡丹

清　李培雨　畫牡丹

宋　林椿　山茶霽雪

清　郎世寧　畫罌粟

清　惲壽平　水仙

明　沈周　玉蘭

清　蔣廷錫　杜鵑

清　傳綮　牡丹

清　惲壽平　牡丹

清　郎世寧　畫瓶花

清　陳書　歲朝麗景

明　陳洪綬　古梅

明　文徵明　蘭竹

明　沈周　雞冠花

All images courtesy of National Palace Museum of Taipei
假杂志新浪微博 / JiaZaZhi in twitter

这些作品来自艺术家 Phillip Toledano 的 “Kim Jong Phil”系列，他把在朝鲜买到的关于独裁者金正日的油画重新复制，并且把画里的独裁者替换成自己。

“I’ve copied pre-existing dictatorial art. Paintings from North Korea, statues of assorted dictators (Kim Il Sung, Laurent Kabilla, and Saddam Hussein). I had these works re-created in China, and each instance, I’ve replaced the great leaders with myself.”

all images © Phillip Toledano

每次看到Aleksandra的画，就想知道她究竟经历了怎样的故事才会有这些噩梦的画面,  希望在之后的访谈中能看到那些故事，我喜欢画中由眼神、牙齿、动态所调控的一层气氛。

All  images © Aleksandra

假杂志新浪微博 / JiaZaZhi in twitter

我非常喜欢的艺术家游思的个展《边迹的漫延》将在上海 ART LABOR 画廊举办，在上海的你可以去看看。开幕酒会时间是11月27日星期六晚上六至十点，地点在上海永嘉路570号永嘉庭4号楼（近岳阳路）。

One of my favorite artist You Si will hold his solo exhibition UNBOUNDED DIFFUSION at ART LABOR in Shanghai. If you are in Shanghai, don’t miss it. The opening ceremony will start at 6 p.m. Nov.27, next saturday. The gallery’s address is 570 Yongjia lu, Bldg 4 (corner Yueyang lu).

All images courtesy ART LABOR
假杂志新浪微博 / JiaZaZhi in twitter

周范，1983年生于山西。2007年下半年，他入选了中国新锐画家奖的25位新锐中国艺术家，并最终获得之前一直空缺的“特别提名奖”。获得这个奖之后，他逐渐受到了媒体的关注。关于他的绘画，他说道：

“我的一系列绘画都是源于我小时候的梦，天上飘着许多水母，有些乘着降落伞落到地面变成了蘑菇。这些梦对我产生了很大的影响，并清楚的记得。我总是莫名其妙的认为梦比现实更吸引人。”

Zhou Fan was born in 1983 in Shanxi Province in northern China. In late 2007, Zhou Fan was selected as one of the top 25 emerging Chinese artists at the Chinese Art Prize. Zhou Fan was given the “special mention” prize, which had never been awarded before. The Chinese Art Prize launched Zhou Fan’s career, and allowed him to gain much more exposure. He said:

“A series of my paintings is based on dreams that I had as a child of many many jellyfish floating in the sky, some of which fell to the ground on parachures and became mushrooms. These dreams had a strong impact on me, and I remember them vividly. Somehow I feel that it is easier to focus on dreams than reality.”

All images © Zhou Fan

Lisa Dahl是一位“多”媒体艺术家，她涉及的领域包括绘画、摄影、装置、录像等。出生于明尼阿波利斯的她 ，随着家庭住遍了近半打的美国的州，现居纽约。关于她的作品，她说道：

“由于在成长过程中不断的搬家，于是我将这些郊区的房子——有点类似于我儿时的记忆——当作了理想中的美国梦的化身。我将房子的结构简易化，只留一个基本的样子，探索我们对家的传统意识，以及这些建筑给是如何唤起我们的个人理想、经济问题、城市规划以及对环境问题的考虑。我利用各种艺术媒介来探究我与这些房子及其营造的社区既爱又恨的关系。”

Lisa Dahl is a mixed-media artist who works in painting, photography, installation and video. Born in Minneapolis, Dahl has lived in half a dozen different States, and currently lives and works in New York City. According to her works, she said:

“Having moved around frequently growing up, I use the suburban home – like those reminiscent of my childhood – as an idealistic icon of the American Dream. By simplifying the structure of a house to a basic form, I explore the traditional ideas we attach to home ownership as well as what these buildings evoke for us: personal goals, economic issues, urban planning, and environmental concerns. I work in a variety of artistic media to investigate the love-hate relationship I have with these houses and the sprawling communities they create.”

All images © Lisa Dahl

中野修一，1966年出生于北海道，后前往德国游学，现居秋田县湯沢市。他的绘画常常利用想象让自然和城市的景物相聚、冲撞，看似偶然，却在质疑整个星球迈向都市化和现代化的必要性。本文作品选自他的”寻找乐园”系列。

Artist Shuichi Nakano was born in 1966 in Hokkaido, Japan, and stayed in Germany from 1991-1992. He now lives in Yuzawa, Akita Prefecture. His works make natural and city scenes meet and collide in imagination, seemingly accidental, tending to question the necessity of the whole planet to urbanization and modernization. The images are from his Searching for Paradise series.

All images © Shuichi Nakano / via Pink Tentacle

英国艺术家 Ged Quinn ，1963年生于利物浦。他先后在牛津大学鲁斯金艺术学院、伦敦斯雷德艺术学校、德国杜塞尔多夫艺术学院、荷兰阿姆斯特丹皇家视觉艺术学院学习，现居英国康沃尔。Quinn 的超现实主义作品总是包含许多复杂的典故，涉及宗教、政治、独裁、失败等不同主题。自从2004年在泰特博物馆举办名为“乌托邦废托邦”的展览后，其作品受到世界各地高端收藏家以及许多公共收藏机构的青睐。 在绘画之余，他还是利物浦当地的乐队“野天鹅”的键盘手。

English artist Ged Quinn was born in1963 in Liverpool. He studied at the Ruskin in Oxford, the Slade School of Art in London, the Kunstakademie Düsseldorf, and the Rijksakademie in Amsterdam. He is currently residing and working in Cornwall, UK. Quinn’s surreal depictions contain many complex references to religion, politics and dictatorship as well as failure. Quinn had his first UK exhibition Utopia Dystopia at the Tate St. Ives in 2004 since then has had almost all of his work purchased by various high profile collectors as well as remaining in a handful of reputable public collections. Quinn was also the keyboard player in the Liverpool band The Wild Swans.

All images © Ged Quinn, info via HUH.Magazine

本周 InterView 栏目的主人公是来自南非的艺术家 Cameron Platter 。一直关注假杂志的读者可能对他并不陌生，因为我们在8月份的一篇文章中已经介绍过他的作品。

Cameron Platter 生于1978年，现居南非第三大城市德班的郊区，在绘画作品以外，他也做装置。和南非许多艺术家将焦点放在暴力以及种族隔离的问题上不一样，他将目光投向了更贴近个人化的话题，诸如性是如何被看待，性是如何在民主制度中改变等等。在访谈中，我们请他谈了谈南非的艺术现状，还专门请他聊了聊最新的绘画系列“艰难时世/远大前程”以及最近的计划。本文图片亦选自“艰难时世/远大前程”系列。

We invited artist Cameron Platter from South Africa as our guest of InterView column. If you are a long-time reader of Jia Za Zhi, you might have seen his works in one of our posts in August.

Cameron Platter  was born in 1978 in Johannesburg, South Africa. He now lives and works outside SA’s third largest city, Durban. Besides drawing, he also involved in installation. Quite different from other artists in South Africa who concerned more about race, violence, and the effects of apartheid, he pays more attention on private issue, such as how sex is perceived, and how it has changed in democracy. In the dialogue, Cameron  talks about the art situation in South Africa, his new painting series Hard Times/Great Expectations, and his new plans as well. The images of this article were selected from the new series.

艰难时世 / 远大前程展览现场，开普敦Whatiftheworld Gallery画廊
Installation view of Hard Times / Great Expectations in Whatiftheworld Gallery, Cape Town

我爱德班
I love Durban

巴拉克•侯赛因王子
Prince Barrack Hussein

当初的一切都美好
In the Beginning Things Were Good

贫乏
Destitute

下流的秘密和肮脏的伎俩
Nasty Secrets and Dirty Tricks

你什么时候开始对艺术感兴趣的？是如何开始的呢？
我的梦想有三个：艺术家、开一个高级保镖事务所以及政治家。最后艺术胜出，不过我觉得随时都可以选择另外两条道路。
认真地思考艺术是在我在厨房当晚间清洁工之后。我觉得自己应该做些，与早上3点开始拖地、倒垃圾、清洗烤箱里的油脂无关的事情。

谈谈南非和你居住的城市吧？
南非是个新兴城市，是非洲的美国：一个快速消费型社会，无政治化，沉迷于不良信贷、手机、快餐、Kwaito音乐明星和名人。所有的东西都很嘈杂、疯狂、无秩序、流动性大。所以是个很适合做艺术的城市。你可以到药剂师那里，增大你的老二，得到永恒的快乐，得到你失去的爱人（是有保障的），或者拿回你的钱（三天之内）。然后你可能发现前警察局长（国际刑警组织负责人）最近被控告腐败，并判处15年的监禁。
我住在南非第三大城市德班的郊区，这是一个石材工业港口城市，正在慢慢地衰退，退回到亚热带的荒林状态。除了非常热之外，就跟底特律差不多，有着棕榈树和印度庙堂（现在是一个巨大、耀眼、负债累累的足球场）。
我只会住在这里…

说到“大师”，你会马上想到谁？请谈谈你对他/她的看法。
希尔维奥•贝鲁斯科尼。你是一个国家最富有的人，你是总理，你可以遂心改变法律，你可以在按摩浴池里享受年轻女人的“按摩”，你拥有和控制媒体，你有着一成不变的褐色皮肤和头型，你可以随心歌唱。有了这些你还想得到什么呢？

来谈谈你的艺术吧，为什么你的艺术作品都富含着性暗示呢？
性（或者更具体来说，色情）是我对南非（可能是整个世界）的隐喻。我们关心的是性交的商业和表面价值，却不关心做爱的政治性。
我很喜欢做些离经叛道的事，让人们坐下来思考色情艺术的用途，尽管色情艺术远没有CNN、快餐和广告那么糟糕，而且也不会带给人们多少的震惊。
另外，南非艺术，对整个世界来说，一直都在记录着种族、暴力以及种族隔离的问题。让大家看到性是如何被看待，以及性如何在民主社会中改变，是很有意思的事。性代表着宽容，接纳新的事物。

请挑选你的作品中的其中一个系列并谈谈创作想法。
我有一个新的绘画系列，整个系列叫做“艰难时世/远大前程”，早些时候在开普敦的 whatiftheworld 画廊以同样的标题展出。这个系列的作品都是大画幅（170cm x 170cm左右），手工着色，用蜡笔画在纸上。每幅画差不多都会花一个月的时间，在创作的时候我都处于亚热带的高温中，穿着内衣，听见耳边蚊子到处飞。

在“我爱德班”这幅画中，包含着真实存在的房屋、标志、店铺，我将它们组合在一起形成一个我对夜晚霓虹灯笼罩下的德班的印象。“巴拉克·胡赛因王子”画幅比较大，是一些在街头散发的手册内容，关于所谓的许诺治疗所有疾病的医生和教授。对我来说这意味着我们这个社会的疾病。“当初的一切都美好”展现的是事物分崩离析之后在堕落的狂欢中沉醉的场面。“贫乏”呈现的是一个真实存在的流浪汉 Wayne，制作出不可思议的闪耀标语乞求捐助。我想表现的是这与一个艺术家所处于的情境是很相似的。尽管这些作品都被陈列在华丽高端的画廊里，上面贴着价格标签，其实我与那个在街角为一毛钱挣扎的人只是一步之遥罢了。“下流的秘密和肮脏的伎俩”是我的自画像，另一个化身为私人侦探的自己藏匿在城中的SM俱乐部中……

这些作品是我记录下当代南非生活的一种方式，带有报道的性质，我以自己的方式讲述各种有关媒体、电视、电影、艺术、历史、色情文学、战争场面、闹市街景、政治、音乐、宗教的简单故事。它们也是我的电影的“情节图板”。

聊聊你的新计划吧？
最近我刚有了个宝贝女儿，刚修了一栋房子，所以我忙得一点儿空隙都没有。我希望有时间能想想新的作品。我马上要做一个视频项目，希望能具备一定的规模和长度，能在真实生活的场景里拍摄（酒吧，电影院，脱衣舞夜总会，树丛以及网络）。内容是一部完整的黑色电影，有蒙太奇舞者、表演、还有沙卡暗杀的现代演绎。
在这其间，我在维也纳画廊有个画展，在约翰尼斯堡有个独立展览，明年3月份我的作品还将在纽约现代艺术博物馆展出。
也许下一站是中国？


When did you get interested in art? How did you start?
It was become an artist, or run a high- class escort agency, or become a politician. Art won, though I’m thinking it’s never too late to get into either of my two other options.
I started making art seriously after working as a night cleaner in a kitchen, and realizing that I’d rather be doing something that didn’t involve mopping floors, taking out trash, and cleaning grease off grills at 3 a.m. every morning.

What’s your comments on South Africa and the city you live?
South Africa is an emerging nation, and Africa’s USA: the ultimate throw-away- consumer society; depoliticized, and hooked on bad credit, cellphones, fast food, and blinged- up kwaito stars and celebs. Things are chaotic, wild, lawless and always in flux- so a great place to make art in and about.
You can go to an herbalist doctor who will make your penis bigger, give you eternal happiness, and bring back your lost lover, guaranteed, or your money back. (Within three days.) Afterwards you could pop into the trial of our former chief of police (and head of Interpol) who was recently convicted for corruption, and sentenced to 15 years in jail.
I live outside SA’s third largest city, Durban- a gritty, industrial port city that is in the process of slowing decaying and returning to the wilds of the sub- tropics. Think Detroit, except very hot, with palm trees and hindu temples (and now a big, shiny, debt- laden football stadium.)
I wouldn’t live anywhere else…

Speaking of “master”, who will you instantly think of? please give your comments on him/her?
Silvio Berlusconi. You’re the richest man in the country, you are the prime minister, you can change the law anytime to suit yourself, you get “massages” from young women in jacuzzis, you control and own the media, you have a permanent tan and hair, and you can sing. What more do you want?

Let’s talk about your art, why your art full of the metaphor of sex?
Sex (or more precisely, pornography) is my metaphor for where South Africa (and possibly the world) is at. We’re concerned about the business and the face value of fucking, and not about the politics of making love.
I do enjoy being deviant, and making people sit up and think through the use of porn, although porn isn’t nearly as bad as CNN, fast food, advertising, and shouldn’t really be that surprising and shocking to people.
Also, South African art, for the world, has always been about documenting race, violence, and the effects of apartheid. It’s interesting to see how sex, and how it is perceived, has changed in democracy. Sex is about being tolerant, and open to new things.

Could you choose one series of your works and talk about the ideas on it?
The series of new drawings, collectively titled Hard Times/ Great Expectations that were shown on my recent exhibition of the same title, earlier this year at whatiftheworld gallery in Cape Town.
They are all large scale (+-170cm x 170cm), hand coloured, with pencil crayon on paper. Each drawing takes about a month to complete, and were made in the sub tropical heat of my studio, with mosquitoes everywhere and me only in my underwear.
In I love Durban, I’ve taken existing buildings, signs, and businesses and collaged them into an experience I would see driving through neoned- up downtown Durban at night. Prince Barrack Hussein is my making bigger and more colourful actual pamphlets one is given on the street, of so-called doctors and professors who promise to remedy all ills. For me it’s about our society’s social maladies. In the Beginning Things were Good is about things falling apart and being able to revel in the perverse hilarity of the situation. Destitute is taken from a sign of real life homeless person, Wayne, the sign-maker, makes incredible glittered signs asking for donations. My version is about how I’m in a similar situation as an artist. Even though these works get shown in beautiful, high-end, galleries, and have price tags; I am one step away from being on that street corner, hussling for a dollar. Nasty Secrets and Dirty Tricks is a self portrait, my crocodile private-investigator alter-ego who is undercover in a downtown S&M club.
They are my way of documenting a contemporary South African experience- a form of reportage, where I can give my side of the story through the telling of simple stories drawn and appropriated from the media, TV, films, art, history, pornography, battle scenes, downtown-cityscapes, politics, music, and religion. They also act as “storyboards” for my films.

What’s your new plan?
I have recently had a baby daughter and built a house, so I’ve been super occupied. I’m looking forward to taking some time to think about new works. I’m beginning to get busy on a major video project, ambitious in scope and length, to be screened in real life locations (bars, cinemas, strip clubs, the bush, and the internet) around the world. Content includes a full- length film-noir, dance montages, performance, and a contemporary take on the assassination of Shaka.
In between that, I have a show with my Vienna gallery; a solo exhibition in Johannesburg, and my works go on show at MoMA NY (Museum of Modern Art New York) in March next year.
Then China?

访谈：言由 / 假杂志版权所有，转载请超链接本文网址
Interviewed by Yuan Di / all images © Cameron Platter; Please link Jia Za Zhi, if you want to use any part of this aritcle

艺术家Oona Ratcliffe工作生活在纽约布鲁克林。
Artist Oona Ratcliffe lives and works in Brooklyn, New York.

我们曾介绍过的艺术家胡子的网站上线了。不要错过。

Our friend artist Hu Zi‘s website is online. Don’t miss it.

_www.imhuzi.com

王远铮，1984年生于陕西宝鸡，毕业于西安美院油画系，现居北京。“王远铮在画面上，可以直接地画一堆肉、一只香蕉、一条蛇等等，是他以往心绪的象征性表现，就像他日常情绪与痛楚的片段宣泄。虽然这些图像有着隐喻的元素，但已没有了传统人文的指涉，与以往宏大的叙事针对性也发生了偏离，而是与自我存在与体验直接相连的明喻。”（冯博一语）。

Born in 1984 in Shaanxi Province, China, Wang Yuanzheng graduated from Oil Painting Department at Xi’an Academy of Fine Art. He now lives and works in Beijing. You can see more works on Magge Gallery.

all images © Wang Yuanzheng

作品名称（按本文顺序）：

1、龟，150×150cm，布面丙烯，2007
2、不知道，150x180cm，布面油画，2007
3、好长呀，150×150cm，布面丙烯，2007
4、黑鸟No.3，150×120cm，布面丙烯，2006
5、回家，150×150cm，布面丙烯， 2007
6、来来来来来 ，150×180，布面油画，2007
7、两只乌龟，150×180，布面油画，2008
8、妈妈，150×200cm，布面油画，2007

周玥，生于1989年11月2日，家乡湖南怀化，现居浙江杭州，是中国美术学院版画系大三学生。在高三时便开始做一个名为《DREAMER》的电子杂志。现在，她还是中国公益摄影师协会成员，经常参加与公益相关的社会活动。她的版画、她的杂志、她的摄影，即便有青涩之处，我想那也是青春的印记。这次，假杂志主要让她谈了她的版画和杂志，作品后是简短的访谈。

Yvonette.z is a junior student in Print-making Department at China Academy of Art. Born in Nov. 2, 1989 in Hunan Province, she now lives in Hangzhou. Besides print-making, she runs an online magazine DREAMER with her friends and works as a member of China Public Photographers Association.

Ⅰ、木刻版画：倒淌河 Wood-Engraving Prints: A River Flow Backwards

Ⅱ、丝网版画：我睡在你眼睛的沙漠里，遇见了一场海啸 Silk-Screen Prints: I sleep in the desert of your eyes, while coming across a Tsunami

能否分别谈谈水性木刻版画“倒淌河”以及丝网版画“我睡在你眼睛的沙漠里，遇见了一场海啸”这两个系列作品？
我的作品大多数都是探讨梦与时间这两个主题。这两个系列的名称都与歌名有关，我似乎很喜欢听歌的时候寻找它与自己生活的联系，其实挺矫情的。
“倒淌河”这个系列我希望呈现一种倒退的线性时间感，由第一幅向后行走的人到第五幅淌着水的脚，说的其实是自己希望能够退回到某段时间，中间三幅则是那段时间的记忆切片。
“我睡在你眼睛的沙漠里”系列更像是我对末日的一个臆想，关于我的海和小鸟情结。“鸟”和“海（水）”是我作品中最常见的元素，创作这套画的时候我的鸟刚死不久，而我对末日也一直有强烈的兴奋，我想象着末日来的时候，潮水汹涌，我的小鸟在等着我会带我走。所以其实我的创作和自身没什么偏离，还是比较小我自我的。

你是如何对绘画产生兴趣？
一开始怎么有兴趣其实已经不太记得了，很小的时候就喜欢涂涂画画或是看见喜欢的画就临摹，也许是种天性吧。走上艺术之路和大多人选择的都是一样的渠道——上美院，考上美院是一回事，之后自己怎样做才是最重要的。

请谈谈对你产生影响的人？
基本上我是个比较容易受别人影响的人，周遭大多数人的生活我都有可能引发感触。在艺术上影响比较大的首先是我的男朋友——丁澂，还有一些老师，他们都是很棒的艺术家。纳比派特别是维亚尔，表现主义画家蒙克，德国表现主义和新表现主义，日本版画家渡边悠子，这些都对我有不少的影响。文学方面的影响有时甚至多过艺术家，比如诗人里尔克、聂鲁达，哲学家维特根斯坦，还有一些女权主义的著作对我影响也很大。

我知道你在做一本电子杂志《DREAMER》，能否谈谈做这个电子杂志的初衷以及现在的状况？
这起初只是我高三休学在家时突发奇想的乐趣，像它的名字“Dreamer”，我一直是个靠梦活下去的人。一路坚持下来三年了，现在已经不是我一个人的杂志，有了固定的团队，是她们才让杂志越来越好，她们都是我最好的朋友，我们也说过会尽我们所能的一直做下去。DREAMER现在已初具规模，读者群和投稿源都在不断扩大，有很多年轻的艺术家、摄影师等参与我们的制作，特别这次有很多国外摄影师，艺术家关注及参与，杂志还受到电视台的采访和一些网站的宣传合作等，相信杂志的前景会更好。虽然现在电子杂志很多，但我们有信心使DREAMER成为中国最具特色的关注年轻人生活、创意、艺术，以纯艺术、新摄影为主文字为辅的国际性梦想志，我们会为之努力，之后也会有实体出版。

（访谈：言由 Interviewed by Yuan Di /  all images © Yvonette.z）

金浩钒(kim227) ，1987年出生于广东，今年毕业于四川美术学院油画系。川美每年6月都会有一个“开放的6月”各系毕业展，在今年的毕业展上Kim227展出了自己的毕业作品，除了画作之外还自己创新了一把，将自己的画做成一段动画视频《i wanna be》。北京玉兰堂画廊一眼相中他的作品。我关注他是在去年了，一开始是摄影作品，一直以为kim是学摄影的，但后来看到了他的绘画作品，被深深吸引住。他的作品中主体大多都是儿童，确切地说是“青少年，介乎于儿童和成人之间。”但却丝毫不显幼稚和可爱，相反是一种带有毁灭和嘲讽的攻击，以艳丽和出奇的色彩及人物状态勾勒出一种致命的玩笑和戏剧感，似乎他们都有魔力活在另一个奇妙的星球上。而他的摄影也是在关注城市中的细微之处，在常态的城市建筑或场景之中寻求一些偶遇，这种偶遇或许是一个怪诞的物件也或许是最动人的情感片刻。见到kim是在几天前，北京刚刚告别40度高温的炎热，换来这一场又一场的夏雨，他说，北京的热比重庆的热好多了，好舒服~呵呵。他话不多，卷发，时不时摸摸鼻子和眼镜，像个孩子也如我想象中一般。下面是作品和采访部分：

Jin Haofan (kim227) was born in 1987, Guangdong, China. He graduated from Oil Painting Department at Sichuan Fine Arts Institute in June 2010. Besides painting, his photography is brilliant as well. If you are interested in his painting or photography, please visit his flickr to see more works. You can also send the mail directly to kim227@163.com .

Ⅰ. painting

Ⅱ. photography

能否介绍下自己？
我叫Kim，227是生日，广东仔，不man，给人感觉有点娘，很直。生活上没什么经历，糊里糊涂的就毕业了，趣味是每周二、三等漫画情报，周四等着漫画汉化完毕。

绘画的灵感来源于哪里？
挤挤总是有的……来源太多太多，我是典型的“想多了”的人，说不清灵感来自哪里。我想来自哪里不重要，重要的是有一套适合自己的看世界的方式。

为何在作品中选择很多儿童为主体？
准确的说应该是青少年，介乎儿童和成人之间，乱七八糟的想法最多的时候。因为我还年轻，只能画自己有所感受的东西，再老些的生活我没感受过。

最早看到你的绘画作品时，你的作品的颜色并不多，但再看你的毕业作品，色彩上的跨越很大，为何转变？
进大学头两年我很排斥画画，我不想再画考前班那些学院派的东西，真是画到吐了，却又没有自己的一套风格。在那种状态下画画很难受，有时候连挤点别的颜色都懒得动手，然后我就拍照安慰自己去了。到了想画画的时候，都已经养成懒得挤颜色的习惯了。。。于是，色彩上“跨越”的过程纯粹就是我在跟坏习惯战斗的过程。

完成一幅作品要多长时间？
说不好，有的画将近两个月都有的。但毕业作品里的画很快，在这些作品出来之前我耗费了很多时间，画了不少，但不尽人意，等风格出来的时候只剩两周了，你看我毕业作品里有几幅画，除个14就是平均速度了。

你的绘画和摄影之间有某种联系吗？
有，但还不明显，以后会更多地呈现出来。那种联系不是表面上的构图或者颜色，不是照相写实，内在的东西要让它溢出来总是需要一段比较长的时间去积累。

如何看待绘画和摄影的关系？
两样东西我都不敢说自己有真正的认识，我只能说它们有一腿。

喜欢哪些画家及摄影师？他们给你带来了什么？
漫画家可以么？我最喜欢古谷实和浅野一二0，我想还有很多很好的，但我没看到过，我不太懂得自己去寻找资源，都是偶然才接触到自己喜欢的东西。他们带给我很多似曾相识的感受。真正喜欢的都不是带给我创作想法的，往往是那些让我作为一个人能有所感受的。

学校教育对你来说重不重要？
重要，不切身体会过就不肯定哪些东西是要保留或者摒弃的。

在川美呆了4年，重庆对你来说是一个怎样的城市？
一个大家都想来拍的城市，我甚至想过拍一个特山寨的、像电视促销的广告，内容就是“你还在等什么？快来重庆拍照啊！”。

生活中会不自觉的关注什么？
人啊，样子，穿着，行为举止，他们的情绪。

毕业之后有怎样的计划？
先找个地方落脚，方便画画的，先画着吧，还真不知道该干嘛。

【采访：戴显婧（藻）；假杂志版权所有，转载请以超链接的形式注明 / Interview by Daixianjing, Please link JIAZAZHI, if you want to use any part of this aritcle】

胡子，1981年生于江苏南通，2007年获得中国美术学院硕士学位，之后前往法国巴黎艺术城研修，现居上海。

Hu Zi was born in 1981 in Nantong, Jiangsu Province, China. She graduated from China Academy of Fine Arts with Master’s Degree in 2007. Afterwards, she studied at the International Art City in Paris. She now lives in Shanghai.

Nie Xiao (Powerbule) was born in 1985 in Jiamusi, Heilongjiang Province, China. She graduated from studio 10 of Visual Communication Department, CAFA.

聂霄（大蓝力），1985年生于黑龙江佳木斯，她于2010年毕业于中央美术学院视觉传达系第十工作室。

作品说明：
她画身边所有见到梦到或者想到的故事，那些慢慢流淌着的时间，粉的、蓝的、红的⋯在这里，凝成这样一些，腻腻的、甜甜的、悄悄的。

朝日聡子，1979年生于日本千葉市，现居东京。她毕业于多摩美术大学油画系。

Asahi Satoko was born in 1979 in Chiba, Japan. She works and lives in Tokyo. She studied oil painting at Tama Art University.