訪談：第四四期 InterView vol.44
Larysa Sendich 和第四二期访谈的摄影师 Mae Ryan 都是假杂志的老朋友纽约摄影师白白的推荐。白白说，Larysa、Mae和她自己是纽约国际摄影中心学纪实摄影的同学中最不像纪实摄影的。在上周见面的时候，我对白白说，因为你们都有一些东方的味道。后来一想，这样的概括其实并不精准，她们作品中对人物内心情感的把握和表现被我草率地冠上“东方”这个标签，而这种对内心情感的注重其实并没有东西方的分别。有着乌克兰和波斯尼亚家庭背景的 Larysa Sendich，在美国生活有着不一样的成长经历，也造就了她现在的摄影风格。我们结合她的系列作品“波浪之间”来看看她是怎么说的。
Larysa Sendich and Mae Ryan in vol.42 interview were both recommended by our old friend New York based photographer Wenjie Yang. She said, among the students studying in IPC Photojournalism and Documentary Photography, they three were quite different from others, and their works were not so documentary. When I met Wenjie last week in Beijing, I told her that all of their works were full of Oriental sense, however, I didn’t think my conclusion was accurate. They should not simply be tagged with Eastern sense, because human beings share the same emotions. Born to Ukrainian and Bosnian parents, Larysa Sendich spent her childhood between the Ukrainian communities of the Midwest and East Coast of the United States. She had a different experience during her growth, which impacted her a lot. Let’s see what she said, combining with the Between Wave series.
