Archive for November, 2010

Date: November 13th, 2010
Cate: Japanese Photographer, Photography
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滝口浩史:窥视 / Koji Takiguchi: PEEP

屠夫 / Butcher / 2008

屠夫 / Butcher / 2008

滝口浩史,1977年生于日本静冈县。他凭借作品“狭间”受到评委荒木经惟的青睐而与川村素代共享了2004年佳能写真新世纪的大奖。假杂志曾对他的“挂毯”系列做过介绍。应摄影师自己的推荐,今天再来介绍一下他正在进行中的项目“窥视”。这个系列以个体为切入点,跟踪拍摄他(她)在工作、家中、在做喜欢的事时的状态,被拍对象的职业有屠夫、学生、清洁工人、AV女优、杂志编辑、服务员、公务员等等,看上去是在“偷窥”他人的生活,但是到头来窥见的却是自己。最终的结果让我想起了那部德国影片《他人的生活》(俗译《窃听风暴》)。

Koji Takiguchi was born in 1977 in Shizuoka, Japan. His photo “Hazama (in between the two)” won the co-grand prize (selected by Nobuyoshi Araki) of Canon “New Cosmos of photography” in 2004.  Jia Za Zhi has introduced his Tsudureori series before. Koji wrote to us to recommend his on-going series PEEP. The series “peeps” people’s state in one’s work time, home and favorite, such as Butcher, student, cleaner, female video porn star, magazine editor, maid-coffee shop, government officer. Finally, the photographer peeps himself. The result reminds me of one Dutch movie The Lives of Others.

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Date: November 11th, 2010
Cate: Art, Drawing
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谈凯莉 Tan Kaili

谈凯莉(TKL),1985年2月生于湖南常德,毕业于中央美术学院版画系第五工作室,现居北京。她喜欢按自己内心的状态来表达周围的事物。

Tan Kaili, born in Feb. 1985 in Changde, Hunan Province, graduated from No.5 Studio of Printmaking at Central Academy of Fine Arts. She now lives in Beijing. She likes to depict the surroundings according to her emotions.

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Date: November 11th, 2010
Cate: INTERVIEW, Photography
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访谈第四二期 / The InterView vol.42

很多人问,假杂志选择摄影师的标准是什么,今天借纽约摄影师 Mae Ryan 的访谈正好做个解答。在我看来,好的摄影始终是一种叙述,它和文字一样是人的情感的载体,可能有些偏诗性,有些则偏故事性。Mae的作品属于后者,她的作品基于情感,连起来,它们有些甚至可以是一个动人的故事。Mae Ryan最初学的不是摄影而是建筑,最近才刚刚从纽约国际摄影中心的“新闻摄影”课程毕业。虽然专攻新闻摄影,但是她的个人作品中的感情却压倒了理性。她的“玛丽女王”系列拍摄的是纽约扬科斯的玛丽女王修道院里的吉光片羽。Mae镜头里老人们的那些细节和动作,让人不由的赞叹起生命和信仰来。

Many people asked me, what is the standard for Jia Za Zhi? I think it’s opportunity to answer the question with the interview with New York photographer Mae Ryan. In my opinion, good photography is a kind of narrative, a carrier of emotion, just like words. The images could tell a story if your connect them in series. Mae Ryan received a B.S. from Stanford in Architectural Design and recently graduated from the photojournalism program at The International Center of Photography in New York, NY. Though majoring in photojournalism, she brings her works more emotion than reason. Her Mary the Queen series shot the moments in Mary the Queen Convent in Yonkers, NY. Mae captured the old people’s details and gestures, making viewers admire life and faith spontaneously.

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Date: November 10th, 2010
Cate: Photography, Publications
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孙彦初摄影书《Obsessed》/ Obsessed: A Self-published Book by Sun Yanchu

假杂志的朋友,摄影师孙彦初访谈)近期自费出版了一本摄影集《沉溺于此》,数码输出,限量50本,暂不对外销售。

Our friend, photographer Sun Yanchu published a photo book Obsessed recently by himself.  The book is limited edtion with 50 copies, not available for sale.

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Date: November 9th, 2010
Cate: Photography
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韓盛弼 Han Sungpil

韩国摄影师韓盛弼的系列作品“我的大海”。

Korean photographer Han Sungpil‘s “My Sea” series.

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Date: November 5th, 2010
Cate: Chinese Photographer, Photography
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宫仁一 Rainyee Gong

上次在介绍华子作品的时候,我曾说他拍北京拍出了这个城市的宽阔、缓慢、随意和土。而今天介绍的摄影师宫仁一拍摄的北京却又是另一番味道。他镜头中的北京是一个矛盾结合体——既古老又现代,既前卫又过时,既整齐又破败——并在不经意间捕捉到了它荒诞和戏剧性的一面。

宫仁一,1975年出生于黑龙江海林,已居北京13年,一直是自由摄影师,以拍摄商业与影视图片为生。“北京扫街”这个系列作品拍摄于2000年–2004年间,器材是奥林巴斯XA、Lomo LC-A等轻便相机。

Rainyee Gong was born in 1975 in Hailin, Heilongjiang Province, China. He moved to Beijing 13 years ago, working as a freelance photographer, shooting for commercial campaign and films. The series he called Beijing Street Scanning was shot between 2000 – 2004, by some portalbe cameras such as Olympus XA, Lomo LC-A.

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Date: November 2nd, 2010
Cate: Art, Drawing

Luke Ramsay

加拿大艺术家 Luke Ramsay 的 Pretty Problems 系列。

Pretty Problems Series from Canadian artist Luke Ramsay.

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Date: November 1st, 2010
Cate: News, Photography, Publications

William Eggleston’s new book

William Eggleston的新书《William Eggleston For Now》即将在这个秋季由Twin Palms Press出版。这本书是由电影《William Eggleston in the Real World》的制作者Michael Almereyda翻阅William的存档底片最终挑选编辑完成的,都是些他以前从未公开发表过的照片,共144页。

“For Now is the result of film-maker Michael Almereyda’s year-long rummage through the Eggleston archives, a remarkable collection of heretofore unseen images spanning four decades of work by one of our seminal artists. Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising.”- Twin Palms Press

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