访谈四一期 / InterView vol.41

靳华(豆瓣)的摄影是安静的,这正好符合她喜欢的罗兰·巴特说过的一句话,“摄影必须是安静的:这不是关于判断的问题,而是关于音乐。”对于我们观者而言,她的摄影总是存在一种亦远亦近的疏离感,在无形中带给人恍如隔世的错觉;而对于她自己而言,摄影更多是她内心与世界产生联系的纽带,即便若即若离,却可以时时提醒自己并未和这个世界走得太遥远。她不断地测试自己与世界的关系和距离,包括最近的“明信片计划”,在执行的过程中发现人与人之间的距离并没有那么遥远。访谈中,假杂志请她谈了摄影的起点、加拿大留学的经历以及两个代表性系列作品背后的故事。
Hua (Phoebe) Jin‘s photography is silent, which is in accordance with one of her favorite words by Roland Barthes, “The photograph must be silent : this is not a question of discretion, but of music.” For us viewers, her photography has a sense of alienation, bringing us an illusion of a different world. For herself, photography is more like a ligament between her inner world and the real world, though not always being strong, reminding herself not going too far away from the world. She likes to test her relationship and distance with the world, including her new project “Postcards Exchange”, in which she found that the distance between each one was not as far as we thought. In the InterView, Jia Za Zhi invited her to talk about the beginning of her photography, her experience of studying in Canada, and background stories of her two representive works.










